An existence without decisions is an existence without alternatives, and what is opportunity if not the capacity to pick? ” (Section 4, )ĭuring a discussion with Anita, Mami clarifies the contrast between an actual existence worth living and insignificant presence. “Sometimes existence without opportunity is no life by any stretch of the imagination. Recorded as a hard copy, she generally has a decision, and it encourages her to see her circumstance all the more unmistakably. ” (Section 4, )Īnita discovers that composing is an approach to carry organization to the disorder of life.

“It resembles my entire world is coming fixed, yet when I compose, my pencil is a needle and string, and I’m sewing the pieces back together. ” (Part 4, )Īnita’s instructor urges Anita to compose, in light of the fact that insightfulness is required for intelligence, and composing assists with explaining thinking. Dark colored consistently says that composing makes an individual progressively attentive and intriguing. Afterward, when Anita is brought together with the Garcias, she will get an opportunity to contemplate Chucha’s words, and her hinting of the idea of opportunity. ” (Section 1, )Ĭhucha will in general talk in what sound like enigmas to Anita. “You will see them before they return however simply after you are free. ” (Part 1, )Įven in the Dominican Republic, Anita dislikes that she is obligated to America somehow or another, for example, being compelled to observe America’s autonomy, among different occasions. Continue reading.“Despite the fact that the Pioneers never went to the Dominican Republic, we are going to the American School, so we need to commend the American occasions.

She slowly becomes more aware that life under Trujillo has become increasingly dangerous for many, including her own family members who are a part of the movement to kill the dictator. In fact, at the start of the novel, Anita looks to El Jefe’s picture at times when she needs strength. In the beginning, Anita has little knowledge of politics and the underground movement to assassinate Trujillo. Some, like her cousins, the Garcias, flee the country, while others go missing or are arrested. In Before We Were Free, Alvarez explores the Trujillo dictatorship in the Dominican Republic through the eyes of Anita de la Torre, a 12-year-old girl in 1960 whose family slowly reduces in number during the novel. Anyone who has read Julia Alvarez’s adult novels will enjoy the connections made in Before We Were Free to How the Garcia Girls Lost Their Accents and In the Time of the Butterflies.

Before we were free book